QUERETARO: MARCH 1
Morelia is a harsh city built to impress and subjugate. Queretaro is joyous. Only the paving is gray. Walls are deep rose, ocher and faded buttercup.
Lovely parks on the periphery are safe. Pedestrian streets connect four squares in the center. Cloisters of clipped trees surround the squares. Miracle of miracles, water jets from every fountain.
Late in the evening I share a wrought-iron bench in the Plaza de Independencia with two elderly men and listen to a guitarist and vocalist perform at a sidewalk restaurant. The vocalist is brilliant. I listen to two sets before guilt forces me to sit at a table and sip a cold Corrona. Guilt? Why is guilt so predominant an emotion? Catholic heritage is too easy an answer.