PANASONIC BRONCHITIS

I am invited to a Muslim household for dinner this evening. Mutton biryani and liver are on the menu. Yum! India is great - however pollution in the cities is a danger to old men with a chest problem. One day in Delhi gave me bronchitis. Jaipur has taken eight days. I take the bus to Delhi and back tomorrow, twelve hours, to retrieve my camera from the vile (though official) Panasonic Agency. Has it been repaired? Of course not! I head south the following day for Goa, fresh fish and that essential of any Paradise, prawns grilled with chili and garlic. Brrrmmmm Brrrmmmm...

SHAMPOO

DELHI: DECEMBER 1
I am having tea in a large State emporium with the motherly manageress. Beautifully coiffed, beautifully dressed, she has adult children and must be in her early fifties. Her husband is an engineer and both their children are professionals. I mention the street children.
"Very clever," she tells me. "Yes, they are very clever. But nothing can be done with them. Such people do not like to work."
The children connect in my hostess's mind with her new servant girl. The servant girl is one of fourteen children. The father is a manual worker. "We are giving her soap. Now she is wanting shampoo. Can you imagine? Shampoo. This is what these people are spending their money on."

STREET WEDDING FOR UNTOUCHABLES

Lack of a common language has me scared. And that I contracted bronchitis with the first inhalation of what, in Delhi, passes for air. Add a broken camera and things look bad. Lack of language has seemed most catastrophic. Who should I talk to? My fellow foreigners? Then why travel?
I determine to conduct myself as I would in Hispanic America. Get out on the street...
It is a narrow street of down-market apartment buildings and down-market hotels. The Municipality had the road tarred some years ago, perhaps by mistake. The tar is mostly gone. My vantage point is a plastic chair outside a tailor's shop. I am one of a group of four men. One is a travel agent, good-looking, mid-thirties, one ear-ring. A second, Nepalese, has been in Delhi eighteen years and works as a packer for Sikh brothers in the export business. I learn nothing of the third. He may be the tailor's brother.
The street is being taken over by preparations for a wedding.
The arrangers of the wedding have erected a ridge marquee in the street. The marquee is thin washed-out saffron cotton that began life cheap and hasn't improved. The frame looks to be iron reinforcing rod. Twin gates stand open my end of the marquee to receive the wedding party. The gates have been draped with marginally less faded saffron cotton. A very old man squats in the dust and weaves bouquets. A younger man wires the bouquets to the gate.
The Nepalese dismisses the flowers as cheap plastic.The wedding is for a sweeper family. Bad people, they will get drunk and fight. Who would rent such people a hall?
Chairs, tables and a sort of altar arrive on three hand-drawn carts.
I ask whether a permit is required to close the street for a wedding.
Why would they require a permit?
The occasional cow strolls the street, sheep, sometimes a goat. Why not a wedding?

SALAAM BAALAK

A large overweight bearded buffoon faces a class of diminutive Indian waifs. Were this Hispanic America I would sit on the floor with them. We would talk, mostly the children asking questions, and we would laugh together and perhaps learn from each other. Certainly there would be a sharing of emotions. Here the most that we can accomplish is to grin and giggle at each other. A grin seems insufficient when confronted by thirty ten-year-old ex-Typex addicts. Or should that be Typex addicts in recovery?
Meanwhile a young project manager has been giving the Trust's spiel while the University students take notes. The project manager is from North Carolina. She worked here as a volunteer whilst studying for her Sociology degree. Next step is her Masters - followed perhaps by a Phd and a career with NGOs or the State Department. She tells me that the street children are the victims of Multinationals who expropriated their families' land without compensation. Interesting...
The Salaam Baalak Trust is a worthy cause. Your contributions will be well spent. Clothes, money, whatever...
Right, that's enough on that subject. Let's move on.

DELHI STREET SCENE

I have found a seat outside a cafe on a main drag. Buildings are run down or never came up. TukTuks weave between overladen trucks and busses. Rich men own cars and presume on their right of way. Every driver has his hand on the horn. Noise and smog are stupendous.
Four laden camels plod by.
The hoarding on a bookshop proclaims: ALL TYPES OF RARE PERSIAN AND URDU BOOKS.
Earlier in the day I passed a splendid sign: ELECTRIC CREMATORIUM.

DELHI TRANSFORMATION

Street kids are a solemn subject. Hence I have slotted in the odd BLOG on a different subject.
Here is my take in the changes from the Delhi of the 60s: more cars, less cows and the cabon monoxide smog is thicker.

SALAAM BAALAK

We climb four flights of stairs. Our guide asks if I wish to rest. I reply that the climb is easy - that I am in training. And I picture, for a moment, Malvern Spa and my almost daily visits to the gym where I bicycled, speed walked and rowed before luxurating by the pool or took a sauna or sat a while in the steam room to aclimatise myself to India's heat. Yeah, yeah...
Our guide lectures again, recounting names of street kids who made good through being rescued. I peak into a classroom. Thirty or more kids sit cross legged on the floor. Why are they here? Why did they run from home?
Hunger, abuse - or chasing a Bollywood dream of the kid made good. And what they get is drugs (Tipex is the drug of choice, cheaper than a can of glue) and more abuse from which Salaam Baalak strives to save them.
Salaam Balaak gives security, education - and, most importantly, the knowledege that someone cares for them - that they matter.
To look at, they are cute kids, ten years old or twelve. I look at them. They look at me. They giggle.
There is always a voice, the class comic, class leader. This one sits in the front row. Good kid, very bright. Give him a chance and he'll transform himself from urchin to plutocrat - or spokesperson for a splendidly corrupt politician (of which India has many).

SLICK KID

I was at the Honda factory today outside Delhi. I sat on my bike, a 125 naturally, but what a 125, a new model red Stunner with electic start and fuel injection - 64K to the litre and only 2000Ks on the clock. I started the engine. Brmm Brmm sweet!
OK, so I hear you middle-aged BMW crowd tittering in the back ground. A 125 again! Sad old guy, what can you expect from a septuagenarian?
So let me set you straight: Honda designed the Stunner as a slick kid's cafe racer. It has style!
Though wrecked somewhat once the fat old Blimp takes to the saddle.
Honda are trying to fit panniers to it and find me a suitable helmet plastered with Honda decals. I meant to pack, when leaving home, my Mexican scarlet-and-white Honda racing shirt. I looked everywhere. Maybe my sons burnt it.

SALAAM BAALAK

We follow our guide down a potter's alley. He lectures the students with statistics. I watch an elderly potter turn tiny bowls that, at home, might be used to serve salt at the table. The potter works with a large tower of clay on the wheel, turning rapidly bowl after tiny bowl, cutting each free with a thread, setting it to dry beside its bretheren. Eighteen seconds - no pause, not even as he looks up briefly to present me with a smile...

SALAAM BAALAK

The South African is filming two street urchins on the railway platform. The urchins are movie buffs. They understand film. Hands in pockets, they swagger and smile for the camera. And they dream of becoming movie stars. Every slum child dreams. Such is the influence of Bollywood. Without such dreams there would be less disapointment, less heartbreak.

SALAAM BAALAK

I am invited to accompany a South African woman on a tour of a rescue project for Street Children. We are a party of six. The other four are Indian university students. One, a woman, is studying philosophy. Her mother is a teacher. Her grandmother was a school Principal. Thus she inherited the joy in thinking. The other three students are studying for degrees that will lead to careers. Our tour is geared to these three and they take notes. Our guide (lecturer) is an ex-street child. Our tour begins at Delhi's Central Railway Station where the Project has one of its nine collection centers. The collection point is a small concrete hut. A dozen children not yet into their teens sit at a table. Two good women are attempting to teach them to read and write. The children giggle when I introduce myself. We are at the end of the longest of the railway platforms. Where the platform ends, tiny shacks begin, homes to adult outcasts and their families. The scene is heart wrenching. It should breed fury. Sadly I have seen far worse in South America. I wrote in Peru of puzzlement as to what the poderosas of the country, the powerful,thought as they drove past slum encampments. I remember one such out in the desert. The huts were black plastic sheeting beside an ilegal refuse dump. A truck had dumped a stinking heap shortly before my arrival. Men and women and children hunted through the refuse. Vultures perched on the skeleton of an overturned trailer and waited their turn. Cacti held their arms aloft in surrender to the horror - or in an apeal to God.
So, no, I am not shocked at what we are shown.
But sad? Yes, of course...

BOTTLED WATER IN MY SHOES

0550: In getting out of bed I knock over the water bottle on my bedside table. The top was loose. Water flows into my shoes. Bottled water is symbolic of the developing world. In the Americas the requirement extends from the Rio Grande (Mexico's border with the US) to Bolivia's frontier with Argentina or Chile.
How many tens of thousand of people live from the bottled water industry?
In lands of great unemployment clean water would be an economic disaster for such families.
I am aware, of course, that dirty water is a major cause of infant mortality.
I am also aware that my shoes are wet.
In composing this BLOG I am attempting to go with the flow...

AN UNSUITABLE BLOG

Go with the flow down narrow whitewashed alleys punctuated with small stores toward voices raised in prayer. I am amongst small men dressed uniformly in white skull caps and long white shirts and loose white trousers. The moment is familiar from a dozen cities that I've travelled, cities in a dozen countries. Yet in my memory there is one incident that surfaces again and again. It is of crossing the frontier from India into Pakistan. The bus was crowded and I stood beside a man dressed similarly to the men I am now following to the Sufi shrine. I remember him as tall and slim, pale eyed and with clipped grey beard. And I remember mostly that he was a serious man - not that he was being serious but that he was serious in himself. Wise might be a better description but different from what I felt then on the bus or, more accurately, knew then on the bus. He questioned me politely as to where I was going.
"To Afghanistan," I said.
He said that Afghanistan was not a good place for me, that his village was a community of Sufis and that I was welcome to be their guest.
He was offering more.
He was offering a retreat and a new direction - and the opportunity to begin to learn whether I could begin to understand wisdom.
I was certain of this and certain that I should go with him - that doing so would change my life and give me at least the chance to be a better person.
I knew all this while I said to him that I had friends waiting for me in Afghanistan.
He made no attempt to persuade me.
So I continued deliberately in a direction I knew to be wrong and from which I had been offered an escape. It was a path that gave great pain to those who should have been foremost in my thoughts and it is a decision that I have regretted often and deeply over the years.
Yet this evening I feel an immense gratitude for having taken that wrong path. Had I taken another I would never have met Bernadette, never been the father to Joshua and to Jed and privileged to be adopted by Anya as her father. My joy in them in no way lessons the regret I feel for those I hurt.
This is rather a solemn BLOG. As I wrote at the beginning, perhaps more suitable for a book - or to be kept in private.
I expect an Email in the morning from Bernadette ordering me to expunge it...

HAZRAT NIZAM-UD-DIN CHISTRI

A young Frenchman arrived yesterday evening from Kabul where he works for the UN - this is probably immaterial information, however I was about to leave the hotel to pay respects at the shrine of the Sufi saint, Hazrat Nizam-ud-din.
A maze of alleys separates the shrine from Marthura Road. No need for a map, follow the flow of devotees. The flow is tranquil and, what joy, free of that curse of Delhi, pestering touts.

REMEMBER, NO RANTS

I have delayed writing of yesterday evening. I have delayed writing through concern as to what I should include. A book demands disclosure of the writer's thoughts. A BLOG is not a book and my wife, Bernadette, is in my head warning that I should keep it light. And no rants...!

WALKING WITHOUT FOOTPRINT

My Footprint guidebook recommends a walking tour through New Delhi from the Broadway hotel: R350 including a great lunch. The tours no longer take place. Management at the Broadway hotel telephoned a guide: R2400, no mention of lunch.
So I walked without guide.
Study a map and advice comes from all sides. Some of the advice is accurate, some is useful, much is either incomprehensible or not pertaining in any way to my goal. However all is well meaning so relax and go with the flow...

IT TAKES ONE TO KNOW ONE

No partridge and the Moti Mahal suffers from having been excessively guide-booked in the 45 years since my last visit. I shall go on a walking tour of Old Delhi tomorrow and commune with ruins.

THE FLOW

Most of a day spent toing and froing across Delhi in search of a Panasonic service agent capable and willing to fit a new screen to my damaged Lumix. My driver for some five hours was an elderly, very thin, kindly and helpful Sikh. His PukPuk was equally ancient. I had to push the time he stopped at an intersection with a rear wheel in a pot hole. Only faith and a few prayers got us up a fly-over. Fortunately Delhi is mostly flat.
And I am in the flow.
The flow is to banish all expectations.
Ming, in his monastery, should he read this, will be pleased with my progress (however temporary) to a state of acceptance...though he might frown at the partridge.

PARTRIDGE IN A GUILT TREE

I ride to dinner in a rickshaw and pass men struggling with huge loads - not beasts but men of burden. My destination is the Moti Mahal where 45 years ago I glutted on a superb partidge. Does the Moti Mahal continue to serve partridge?
And why do I feel guilt as I pass the men with their loads? My guilt is of no help.
Yet I continue to feel, if not guilty, at least uncomfortable.
India, all ready...

DARAB TATA

This evening's meal awakened a memory of 1960s Bombay (as it was then) and a Parsee Bombayite recalling great food at a restaurant in Bombay's Muslim Quarter. Neither he nor his friends had eaten in the Quarter since Partition. Four of us took a cab. The restaurant existed, though with few patrons. Tables were in tall-backed wooden booths similar to those in a workman's cafe on Chelsea's Kings Road in the early 50s, bread and dripping, bubble and squeak, massive white mugs of tea. The cafe is long gone.
As for the restaurant in what is now Mumbai?
I'll make enquiries in hope of discovering food as delicious as it was back then.
As for this evening, I chewed a while on unchewable chunks of mutton and mopped up a divine brain curry with a mediocre nan.
The curry remains within - no mean feat given a drunken driver weaving an unsprung rickshaw on Delhi's humpity and cratered roads...