LA VELA: SUNDAY, DECEMBER 3
The painter, Elizabeth Ortiz lives in La Vela. She has left a message for me at the hotel. I visit her in the evening. Her newly-built house on a mud road is part of village gentrification. She is a broad, dark, mature woman, comfortably overweight. She wears long skirts, lots of colours. She has travelled through a Catholic upbringing to Buddhism and brown-rice meditation. Now she is born again as a Baptist Christian. She is quiet but determined in her faith: it shines through her paintings.
Painting is her passion.
The painter, Elizabeth Ortiz lives in La Vela. She has left a message for me at the hotel. I visit her in the evening. Her newly-built house on a mud road is part of village gentrification. She is a broad, dark, mature woman, comfortably overweight. She wears long skirts, lots of colours. She has travelled through a Catholic upbringing to Buddhism and brown-rice meditation. Now she is born again as a Baptist Christian. She is quiet but determined in her faith: it shines through her paintings.
Painting is her passion.
She is a school teacher and part-time cab driver in her own car. She has two grown children, never bothered with a husband. She is dismissive of men, men are nothing but trouble.
Of the Chavez Revolution, she says: "The cure is worse than the illness. Men vote without thinking. Now they've voted, they are home getting drunk."
She says: "Christians must become part of the nation's political life: we must declare ourselves."
I wonder whether she is endangered in expressing her opinions.
"I am unafraid," she replies. "Write what I say."
Of the Chavez Revolution, she says: "The cure is worse than the illness. Men vote without thinking. Now they've voted, they are home getting drunk."
She says: "Christians must become part of the nation's political life: we must declare ourselves."
I wonder whether she is endangered in expressing her opinions.
"I am unafraid," she replies. "Write what I say."