MAN SINGH PALACE

GWALIOR,DECEMBER 21
Gwalior sprawls as do all Indian towns and cities. The fortress commands the town from high on a solitary plateau 3 Ks in length. Entry is barred by massive wooden gates that, open, would permit passage to an elephant with howdah.I duck through a small portal for pedestrians. A guide at the ticket office accompanies me back to my bike and lifts it in.
For facts on the fortress read the guidebooks or check the internet. I write impressions and my impressions here are of decay other than at the small museum that contains wonderful scuptures ranging from 1st century to the 17th
Of the palace, the top floor is closed and crumbling. Down a floor and you find typical rooms of the period of hewn stone and pillars opening to courtyards, small in scale and not impressive.
I remark to a probable English speaker, middle-aged, intellectual, on the difficulty of imagining how it once was.
He replies that it will be gone in fifty years, destroyed by neglect and coruption.
The truth of the palace lies below in unlit layers carved from the rock and connected through narrow twisting stairways and through dog leg doorways and corridors down which no man, however thin, could pass another. Such is the Man Sing Palace, surely a dark sinister creation of regal paranoia - or excavated as a cool retreat from the summer heat.
Or let the walls speak to you of prisoners incarcerated in pain and fear-filled misery.
As always, in India, make your choice.
Better scurry back down the hill to enjoy a later Maharaja's opulent fantasy caprice, the 19th century Jai Villas Palace.
Curse, it's closed on Wednesdays.